An epic retelling of an interesting chapter from Maratha history
3 min readThe movie, which was delayed because of to the pandemic, is based mostly on just one of the most renowned incidents from Maratha historical past – the Struggle of Pavan Khind. At the outset, the makers make it apparent that this is not a complete documentation of the struggle, its prelude or aftermath, but a cinematic recreation meant to showcase the bravery of the Marathas concerned in this battle. So, there are cinematic liberties taken in this retelling, but the crux of the story is taken care of.
The tale about the Struggle of Pavan Khind (earlier acknowledged as Ghod Khind) and the bravery displayed by Bajiprabhu Deshpande and the Bandal military of 600 towards the Siddhi Masud and the troopers of the Adilshahi Sultanate is well regarded throughout Maharashtra. The final result – Chhatrapati Shivaji Maharaj’s effective escape from Panhalgad to Vishalgad. But, does Lanjekar triumph in recreating this essential chapter from Marathi historical past on display? Definitely!
Pawankhind is a complete cinematic practical experience that is in shape for the massive monitor. The movie is ambitious in seeking to take a look at this story in two and a 50 % hours, but it mainly succeeds in creating the right make up and atmosphere that sales opportunities to a superb climax. From laying out the motive and the characters included in it, to the siege of Panhala by Siddhi Jauhar, the escape prepare and the precise battle, Pawankhind lays out all its playing cards in front you chronologically, although inducing a dose of history, drama and even comedian relief in in between. The movie does not skip out on offering because of credit score to the bulk of the generals who helped Shivaji Maharaj realise his desire of Swarajya.
As for the actors, it’s not an uncomplicated task to deliver some of the most effectively –known names from the Marathi film and Television set business jointly in a multi-starrer of this scale. But the casting section and makers pull off this feat. Chinmay Mandlekar as Shivaji Maharaj, Ajay Purkar as Bajiprabhu Deshpande, Sameer Dharmadhikari as Siddhi Jauhar, Aastad Kale as Siddhi Masud, Ankit Mohan as Rayaji Bandal, Mrinal Kulkarni as Maasaheb Jijau, Akshay Waghmare as Koyaji Bandal each actor has specified his greatest to their roles. Even the supporting solid has some memorable performances from Kshitee Jog as Badi Begum, Harish Dudhade as Bahirji Naik, Shivraj Waichal as Harpya, Rishi Saxena as Rustam Zaman. Yet another notable functionality that stands out is that of Ajinkya Nanaware as Shiva Kashid, the man who resembled Shivaji Maharaj and sacrificed himself for his king. The scenes involving Ajinkya and Chinmay are bound to provide tears to your eyes.
Even though Pawankhind excels in storytelling, the technical features, although excellent, could have been better. The track record score overpowers dialogues in some crucial scenes, and the motion choreography in some scenes fails to make the slash. On the other hand, all said and done, the whole staff has done its best to make this a large monitor practical experience. Perhaps with a larger budget, these things can be ironed out in the next movies of Lanjekar’s collection.
For now, Pawankhind is a wonderful watch, and at the cinemas only.
